#MICROPHONE TO MIDI CONVERTER HOW TO#
#MICROPHONE TO MIDI CONVERTER SERIAL#
#MICROPHONE TO MIDI CONVERTER PRO#

And with the ADI-8 QS, a matching DA-converter with only 5 up to 10 samples delay will turn 'analog digital monitoring' into real analog-style monitoring. At DS and QS the added latency can simply be ignored. They represent an important step in further reducing the latency in the computer-based recording studio. These values are less than a quarter of those available from even much more expensive devices. But the biggest difference to all other ADCs out there is its innovative digital filter, achieving for the first time a delay of only 12 samples in Single Speed 0.25 ms), 9 samples in Double Speed 0.09 ms), and 5 (!) samples in Quad Speed (0.026 ms). In the Micstasy RME uses high-class AD-converters from Cirrus Logic, offering exceptional Signal to Noise and distortion figures. Due to the highly efficient jitter reduction, the Micstasy's AD-converters operate independently from the quality of the external clock signal, as if they are working with internal clock all the time - guaranteeing a pristine sound quality! Additionally Intelligent Clock Control (ICC) will retain the last valid sample frequency in case of a loss of the input signal. RME's Steadењњlock(TM) guarantees excellent clock quality in any situation.

#MICROPHONE TO MIDI CONVERTER HOW TO#

The manual further shows how to remote control the Micstasy from the DM-1000 and DM-2000.

#MICROPHONE TO MIDI CONVERTER PRO#

The MIDI remote is also compatible to Digidesign's Pro Tools system, Yamaha's M7C and PM5D. Each Micstasy can be given a separate ID, allowing separate remote controllability of various devices with only one MIDI channel.

The Micstasy can be fully remote controlled and configured via MIDI, and all status displays can be queried through MIDI. All settings are stored when the unit is switched off. Also multiple units can be stacked and operated sample-aligned, using word clock. The technologies known from other RME products like SyncCheckВ® ensure perfect synchronization and clear detection of errors. In a standard 19' box with 2 unit height the device offers numerous extraordinary features like Intelligent Clock Control (ICC), SyncCheck В®, Steadењњlock, TotalGain, AutoSet, MIDI over MADI, and remote control via MADI and MIDI. Current state can be stored to 8 user presets.AutoSet: Automatic gain reduction with multiple linking.

M/S de-/encoding for the digital output.

LED level meter with 13 LEDs per channel.

Symmetrical hi-pass (Lo Cut) with super-low THD, 18 dB/oct.

#MICROPHONE TO MIDI CONVERTER SERIAL#

Optional MADI I/O (I64 MADI Card) with serial cascading and digital return path.

2 x ADAT Out, 8 channels 96 kHz (SMUX and SMUX4).

4 x AES/EBU Out via D-sub, 8 channels 192 kHz.

8 balanced XLR line outputs, maximum level +27 dBu.

8 balanced TRS line / instrument inputs with Hi-Z option.

Large frequency range (200 kHz) with special EMI input filtering.

Near click-free gain changes in steps of 0.5 dB.

High-end circuitry with 4 relays per channel, super low-noise microphone front-end.

Analog input level from -56.5 dBu up to +30 dBu.

8 balanced XLR mic/line inputs with 85 dB gain range.

Overview of the Micstasy's most important features:

Such a way of cascading is also possible between Micstasy and ADI-8 QS. All up to 64 audio signals are then available at the last device on one single line. The I64 MADI Card provides serial pass-through capability from one Micstasy to the next (up to 8). Adding the optional MADI Card results in even more options. All functions can be remote controlled via MIDI and MIDI over MADI, allowing the device to be placed near the microphones, ensuring highest sound quality. The signals amplified by the Micstasy are available at the analog outputs for passing them on, making an expensive splitter box on stage obsolete. Be it high-level stage signals, typical studio signals, lower level and high-impedance instruments, or dynamic, condenser or ribbon microphones: Micstasy understands them all - in a way that is simply thrilling. The Micstasy's innovative concept allows for amplification and digitization of ALL analog signal sources. Special highlight: the device is fully remote-controllable via MIDI (also MIDI over MADI). It can be used analog (Mic/Line In to Line Out) and digital (Mic/Line In to Digital Out), with both signal paths operating simultaneously. Micstasy is an 8-Channel hi-end mic/line preamp and AD-converter combining typical RME features with a number of previously unseen features.

Microphone to midi converter